Meeting
tonight in a squatted
old pub in Deptford
(London) to develop an
"Art & Craft" section at the Minesweeper Collective.
The Minesweeper is an old wooden boat of the Royal Navy built in 1954, which began to host cultural events in 1998 in Greenwich (London). A fire destroyed the stern in 2008, after which a collective began to rebuild and organize the place in order to welcome artists in residence and set up a screen-printing studio.
It is in this context, and thanks to the members of
another screenprinting
collective I joined in September,
Le Cagibi in Lille,
that I spent a few
weeks on the Minesweeper boat,
invited by Kevin Seven, Camden McDonald, Niccolo Bruni & Andrew Guardens, to make DIY (“do it yourself”)
books, that is to say, printed, folded and
binded by
hand.
In a few days, with Kevin and two Italian artists,
Illustre Feccia and
Freddy Roccia, we made
a small book for Halloween : Sweet Nightmares.
Then we
focused on an ambitious book, mixing poems
and drawings, which gathered
more than twenty artists from different countries and
a significant number of people who wanted to support
and help us,
such as employees of the Bird's Nest(where the
Minesweeper gallery –
Undercurrent gallery –
is located), the artists of the Art Center of
Wembley where we printed the book, Clara Moon
and Emilie Huitric who
reviewed the texts, the crowd of friends, families, or even just
curious onlookers...
.
It was
then the excuse or
opportunity to carry out a long brooding reflection about
the “book” in an article
that I'm currently
trying to broadcast through
a larger media than I usually use.
This London adventure was so fulfilling, the
friendships that were formed were so vivid, creating together
was so fresh that we
soon considered continuing to work together
over the long term.
A second
project was launched, combining Minesweeper, Le
Cagibi and Literature, etc. (association organizing
an annual literature
festival) on the theme of eroticism, still
bringing together texts and drawings.
The common will to live without public subsidies and therefore the most possible with our "manufacturing" (which can be of all kinds...) brings us together on the common principle of a daily life practice : experiments (skills, learning, ideas, etc) and will (naive for sure, but who cares ?) to enroll in an urban settlement (social and economic) beyond words and goodwill.
This is what we wanted with Solstices project, this is what the members of Minesweeper Collective have been achieving for years.
But as a new member of Le Cagibi, obviously I could not avail myself of all of its members, or even be immediately fully aware of the reluctance of many of them on several points, including the commercial aspect (secondary but necessary). For instance, selling the book about eroticism on the website of Les éditions Solstices is excluded. Making money (apart from a few token sales) is excluded.
This
intransigence pleases us more than anything, but it will not allow us
to live for now...
That's why Kevin, agreeing with me, invited me to join the Minesweeper Collective.
Tonight,
Kevin, Illustre Feccia, Freddy Roccia and I,
will lay the foundation
of this company, which I
will explain, from time to time
(facts, successes, failures),
on this blog.
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